Charles Csuri “Random War”, 1967
A random number generator was created to produce Csuri’s “Random War” generated battle scenarios, using his drawing of a toy soldier as the data set. Much like today’s strategy-based video games. In Csuri’s commentary on war, each soldier was automatically assigned a name and rank and was randomly placed in a battle outcome as dead, wounded, missing, surviving, and medals of valor. This image is an iconic, poignant example of pioneering generative art.
“Arguably one of the most important works of the twentieth century, stands at the convergence of Csuri’s life experiences and the American social upheaval that predominated at the time of creation. While the Vietnam War raged in South-east Asia, antiwar sentiments divided the country. Generations of Americans struggled against each other a unprecedented levels. Technology was enthusiastically embraced in suburban house-holds and touted by many as the savior of countless social and medical ills. Simultaneously, many perceived it as a demonic force that introduced chaos, depersonalization, and degrading human beings. to many in the art community, creating art with a computer was an act of evil itself.”
This monumental artwork was featured at the opening of London’s Institute of Contemporary Arts ICA in 1968, “Cybernetic Serendipity” was one of the first international exhibitions devoted to the relationship between the computer and the arts. Artists, mathematicians, engineers, composers, and poets all presented work in what is now seen as a landmark. This revolutionary artwork was one of the first examples of conceptual art and foreshadowed the computer game. It lead Csuri to the continuing theme of randomness, game-like playfulness and innovation in his digital art creation.
While the Vietnam War raged in Southeast Asia, antiwar sentiments divided the country. Generations of Americans struggled against each other at unprecedented levels. Csuri’s use of names underscores and personalizes the randomness and chaos of all wars. Some of the notable names used in this random game include Ronald Reagan, Gerald Ford, Robert F. Kennedy, Lyndon Johnson, James Bond, W.R. Rockefeller, Allen Kaprow, Arnold Palmer, Jack Nicolas, James Hoffa, Roy Lictenstein, and George Segal.
Random War, 1967 | Silkscreen on white plexiglass | Dimensions: 106.68 x 243.84 cm ( 41 x 96 in.)
Random War (prototype), 1967 | Ink on plotter paper | Dimensions: 78.74 x .14 x 101.6 cm ( 31 x 40 in.)
In July 1968, a special issue of Studio International featured Csuri’s cutting-edge computer artwork “Random War”, 1967.
“Random War”, 1967 Exhibitions:
“Cybernetic Serendipity”, 1968 at London’s Institute of Contemporary Art, London.
“Tendencies 4 Computer and Visual Research” 1969 at the gallery of Contemporary Art, Zagreb.
“ Beyond Boundaries” Csuri Retrospective, 2006-2008 Urban Arts Space, Columbus, Oh, Siggraph Boston MA and Kaohsiung Museum of Fine Art, Taiwan.
“Dislocations” Media Facade of the Museum of Contemporary Art for the 12th Istanbul Biennial and of ISEA 2011 Istanbul.
Random War 1967 was exhibited in “Coded Art Enters The Computer Age” 1952 - 1982 in 2022, LACMA, L.A. California.
Generative Random War Mosaic Series
Throughout the eras of Csuri’s artistic creation, he revisited this important theme particularly when wars continued to break out in the world.
Csuri continued to innovate with a technique he called “Mosaic” where he combined hundreds of generative frames creating windows into multiple random battles. These scripted frames were hand picked by Csuri, contrasting order in the squares of picture plane with the images chaos.
Works from the “Mosaic” were exhibited in the “New Tendencies Exhibition”, 2011 in Zagreb Croatia/Yugoslavia.
Select artwork available for minting.
Mosaic Soldiers 1, 2011
Archival ink on canvas
Dimensions: 121.92 x 121.92 cm ( 48 x 48 in.)
Mosaic Soldiers 2, 2011
Archival ink on canvas
Dimensions: 121.92 cm x 121.92 cm (48 x48 in.)
Mosaic Soldiers 3, 2011
Archival ink on canvas
Dimensions: 121.92 cm x 121.92 cm ( 48 x 48 in.)
Graphite Soldiers, 2015
Fine art paper
Dimensions: 121.92 x 121.92 cm ( 48 x 48 in.)
Frontlines, 2016
Fine art paper
Dimensions: 121.92 x 121.92 cm ( 48 x 48 in.)
Ready for Battle, 2015
Archival ink on canvas
Dimensions: 76.2 x101.6 cm ( 30 x 40 in.)
Fragmented Wars, 2011
Archival ink on canvas
Dimensions: 121.92 x 152.4 cm (48 x 60 in.)
Generative Random War Series
Csuri continued throughout his artistic career with this personally significant theme. Abstracting the horror of war in beautiful and game like imagery allowed him to cope with his unspeakable experience as a WWII veteran.
Select artwork available for minting.
Chromatic Soldiers 1, 2021
Archival ink on canvas
Dimensions: 76.2 x 101.6 cm ( 30 x 40 in.)
Chromatic Soldiers 2, 2021
Archival ink on canvas
Dimensions: 76.2 x 101.6 cm ( 30 x 40 in.)
Chromatic Soldiers 3, 2021
Archival ink on canvas
Dimensions: 76.2 x 101.6 cm ( 30 x 40 in.)
Toy Soldier Battle 1, 2008
Archival ink on canvas
Dimensions: 76.2 x 101.6 cm ( 30 x 40 in.)
Toy Soldier Battle 2, 2008
Archival ink on canvas
Dimensions: 76.2 x 101.6 cm ( 30 x 40 in.)
Toy Soldier Battle 3, 2008
Archival ink on canvas
Dimensions: 76.2 x 101.6 cm ( 30 x 40 in.)
Shadow of War, 2016
Archival ink on canvas
Dimensions: 76.2 x 101.6 cm (30 x 40 in.)
Toy Soldier Battle 4, 2008
Archival ink on canvas
Dimensions: 76.2 x 101.6 cm ( 30 x 40 in.)
Parallel Fronts, 2008
Archival ink on canvas
Dimensions: 60.96 x 86.36 cm ( 24 x 34 in.)
Sampling of Random War Animations 2011-2016
Csuri as the pioneer of 3D art and animation brings his abstract vision of war and war games to life in these dynamic animations.
Reflections of Death, 2011
Scenes of War, 2011
Rhythms of Battle, 2011
Frontlines, 2015
Facing Death, 2013
Fragments of Conflict, 2016
Wired for Battle, 2016
Brothers in Arms, 2014
Goya Grief, 2013